Is Your Content in the Goldilocks Zone?

The Goldilocks zone… that interstellar sweet spot where a planet is neither too close to nor too far from the star that it orbits, and can therefore support liquid water and possibly life. Astrophysicists are hard at work as I type scouring the skies for heavenly bodies that are not too hot, not too cold, but just right.

If you are a marketer, you should be looking to position your marketing content in that same kind of place. Too often, content is cold and lifeless. It may be safe —  meaning that it resembles all the other content that is flooding the internet, so it won’t get you fired —  but it’s also unlikely to get you remarkable results.

On the flipside, some companies decide to break free of the content crowd and in doing so, produce something that is — to continue the space metaphor — really out there. Their content is so “hot” that the target audience can’t grasp it. Nor can anyone else, for that matter. The marketers take great pride in their groundbreaking piece, but it doesn’t deliver great results.

What you want (and need) is to have your content in the “habitable zone” that is somewhere in between the two (and too) extremes. Clever without being too cute. Eye-catching without being obnoxious. Unique without being obscure. It’s not an easy place to find, but it exists for every type of content on every topic in every market.  

To locate it, you just need to loosen your grip a bit without taking your hands off the wheel entirely, and start exploring. You’ll know you’ve arrived when instead of getting bored, blank stares or confused, furrowed brows from your prospects you start seeing grins and subtle nods. Welcome home, Goldilocks.

Copywriting: You Should Pay More for Less

“Excuse me,” you’re saying, “Did I read that right?  Pay more for less?”  Yes, you did.

When you hire a copywriter, you expect to get a lot for your money, right?  Who can blame you?  Regardless of what I'm purchasing, the more I receive in return for my hard-earned cash, the better I feel.  With good writing, however, be sure you understand what “more” is.

Long paragraphs stuffed with unnecessary adjectives and jargon definitely have more words.  But do they convey more meaning?  In most cases, the answer is no.  In fact, the opposite is often true.  For time-strapped readers who may only have a few moments to skim a passage, bloated prose is irritating at best and alienating at worst.

When it comes to copywriting, the “more” you’re looking for is more engagement.  This, in turn, leads to more business.

My advice:

• Tell your copywriter that you prefer work that is interesting and brief; be unwilling to sacrifice on either measure

• Words like “lean” and “tight” will get your writer’s attention; use them liberally when discussing your project

• In reviewing drafts, don’t hesitate to scratch words that read well but are unnecessary

• Remember: SEO (search engine optimization) is about keyword density not keyword quantity

• When reconciling a completed project and the invoice, know that keeping words out of a passage is more difficult than putting them in

What are some of the benefits of lean, tight writing?

• Increased comprehension (studies show long sentences/paragraphs are hard to understand)

• Decreased printing/production costs

• Increased social sharing

• Faster revisions/updates

What you want from a copywriter is text that communicates your message effectively.  When verbiage is both compelling and concise, you'll know you've hit the jackpot.   

Blindfolded at the Archery Range

Blindfolded at the archery range. It’s a visual that’s either amusing or alarming, depending on whether the archer is facing you. If you’re a “creative,” you know the feeling. Either because we don't ask the necessary questions or the client doesn't fully share their opinions, perspectives, and expectations for a project, we are notching, drawing, and releasing in the general (VERY general) direction of the target. And unless we get really lucky, we’re just as apt to hit the bull in the neighboring pasture as the bullseye.

Been there. Done that. (Missed the target, that is. Have never hit a bull, to my knowledge.)

In some cases, we realize we are blindfolded only after we’ve delivered a first draft and the client comes back with a laundry list of changes. Then, with our vision restored, we’re able to see, to our great embarrassment, that the target is behind us.

So how can this scenario be avoided? On the creative side, I think sometimes we’re too quick to say, “Got it,” when in fact we definitely don’t got it. (Guilty!) Sure, if there are aspects of the project that our own research will clarify for us, that’s great and it will save the client some time. But I've learned there’s no shame in asking a few questions. In fact, there’s no shame in asking a whole slew of questions if doing so helps us deliver excellent work.

On the client side, it seems that there are two primary reasons for a lack of clarity on project direction: either they are too distracted or are being too deferential to provide the necessary input. And I can say that with confidence because for many years I was a consumer of creative services rather than a provider. Clients who are busy juggling multiple projects sometimes don't give adequate direction. And those who feel that they should defer to the creative’s “vision” without first sharing their own are often short on details as well.

So… In our shared goal to get to a great finished product as efficiently as possible, we should all speak up. That bullseye is much easier to hit when we’re facing downrange with an unobstructed view. ;^)

How Great Copy is Like Good Home Brew

My brother-in-law is a brewing master. He crafts the kind of beer that you actually ask for when you visit him, not the swill that your buddy makes and that you politely choke down out of respect for his new (poisonous) passion. The guy knows his stuff. Recently, as we sat at a microbrewery enjoying a cold one, he tried to explain to me the brewing process.

At the end of a fairly complex lesson that involved everything from botany to chemistry to physics, he paused, looked me in the eye and asked, “But do you know what the most important ingredient is?” “Wwwwhat?” I asked, eager to be let in on what was clearly a craft secret. He took a long, dramatic pull on his IPA, gazed off into the distance, and said, “Time.” Ignoring my slightly dejected look, he explained, “It’s time. You’re just itchin’ to crack open that vessel and get a taste of your creation, but ya gotta be patient, dude. You can’t rush things.”

It occurred to me then that patience and “not rushing things” is important in copywriting, too. I can’t tell you how many times I’ve completed a writing project and declared it perfect, only to come back to it a day or two later to discover that perfection IT IS NOT. Of course, I then make the necessary edits to achieve actual perfection (!), but I’m still stunned at how differently a piece reads just 24 hours after I’ve finished it.

Psychologists would, no doubt, tell us that there are lots of reasons why we have such a high opinion of our work at the moment of completion. For me, I think it has to do with the euphoria you feel when you get to check a box on your To Do list. Those endorphins probably cloud my vision a bit. So, no matter how tight a deadline I’m under, I always find time to step away from a draft before coming back to it with a fresh perspective, making edits, and calling it complete. Ideally, that cooling off period is 24 hours or more. But even 24 minutes is better than nothing.

So, whatever it is you’re writing, if it’s important that it be clear, concise and error-free (and when isn’t that important?), be sure to follow my brother-in-law’s advice and, “Be patient, dude.” You’ll find your work is much better when it’s fully fermented.

Word Choice and The Butterfly Effect

Maybe you’ve heard of the butterfly effect?  To scientists who study chaos theory it means that a small change in the “initial conditions of a system” can have a big impact on the end result.  

One of my favorite examples is a commercial I once saw for a watch manufacturer (Timex, maybe?).  Two strangers, a man and woman, are approaching a street corner from different directions and are fated to meet.  They will start a relationship when they (literally) run into each other.  The narrator describes a loving marriage, happy kids, thriving careers, etc.  The problem is, Bob's inferior watch has him running... one... second... late.  A near miss and an entirely different future.

I'm not a scientist, but I’m a firm believer in the butterfly effect in a different context: written communication.  More specifically, word choice.  As an experienced copywriter and editor, I've seen countless examples of how the selection of one word over another can affect an outcome.  Using the wrong word gives the ones that immediately follow it a slightly different meaning.  That meaning colors subsequent sentences, and so on.  Ultimately, like a trip to Mars that starts two degrees off course, the reader’s skewed trajectory takes her somewhere entirely unintended.  

OK, so how do you pin that butterfly down?  How do you ensure that the marketing brochure, email blast, web page text or press release that you are writing (or that a copywriter is producing for you) delivers readers directly to the desired destination?

Shred Your Thesaurus.  If you have to pull a word out of a thesaurus or other reference book, odds are you aren’t completely comfortable with how to use that word.  There may be shades of meaning that just don’t occur to you.  Stick to words you’re familiar with when working on an important project - and leave the experimenting for other, less critical stuff.

Proofread.  Proofread.  And Then Proofread.  I’ll share a list of my favorite proofreading tips in another post, but two that I’ll mention here involve time and location.  There’s nothing like getting away from a project for a few days (at the very least, a few hours) to give you a fresh perspective.  Do that more than once, if you can.  And, while it sounds strange, proofreading in a different location can make it feel like you’re reading something new, and open your eyes to questionable word choices.

Get an Uninformed Opinion.  Although you're writing for Audience A, some of your best feedback may come from Audience B.  If you can, have someone completely unfamiliar with the subject give it a read.  Because this is new territory to them, they're much more likely to come back with very specific questions about meaning.  Like, “When you say, ‘We provide online training,’ do you mean you sell that service or give it away for free?”

So, when you’re looking to communicate with absolute clarity, and move the reader reliably from awareness to action, be sure to capture your butterflies!